Webzine
Reviews offer in-depth, critical, and engaging analysis of albums, singles, and live performances across the world of progressive, experimental, and avant-garde music. Covering a wide spectrum of styles — from Art Rock, Canterbury Scene, Classic Rock, Doom, Folk Prog, Heavy Prog, Jazz Prog, Krautrock, Neo Prog, Post-Rock, Progressive Metal, Psychedelic Rock, Rock Progressivo Italiano, Space Rock, to Symphonic Prog — each review provides context, musical and lyrical analysis, and thoughtful commentary. This category is dedicated to helping readers discover, appreciate, and understand the richness and diversity of Contemporary and Classic Progressive and Heavy Music.
Released on September 18, 2026 via Tonzonen Records (distributed by Cargo Records Germany), “Uranus Omnibus Sanctus” marks the ninth studio effort from German veterans The Spacelords. Forged in 2014 and…
Slug Comparison operates as the solo endeavor of Doug Harrison, formerly the frontman and guitarist for the Canadian Progressive Rock/Metal act Fen. With “Cold In Cold Out,” a six-track EP…
Founded in 1971 in Völklingen, within the Saarbrücken district of Germany, Neuschwanstein built its reputation over decades around a single milestone: the landmark 1979 album “Battlement.” Yet the band’s creative…
The Belgian trio Amour presents “The Space Before the T of Time,” a two-track EP released on September 19, 2026, that clearly outlines their compositional vision. Entirely composed and performed…
Formed in Cincinnati, Ohio, in 2010, Valley of the Sun return with their sixth studio album, “The Blacklight Sessions,” due for release on October 2, 2026, via Heavy Psych Sounds…
Ølyp’s instrumental duo, comprising Thibaud Lépicier on guitar, bass, and additional production, alongside David Annenkoff on drums, unveils their debut full-length, “I(m)MORTAL,” on September 25, 2026, via Klonosphere/Season of Mist.…
British quartet Splink, comprising Matt James Evans (guitar, keyboards, vocals), Andy Crickett (bass, narration), Vikki Ings (electric and acoustic violin, piano, vocals), and Tim Chapman (drums, percussion), marks a definitive…
The veteran Israeli collective formerly known as Subterranean Masquerade has completed its metamorphosis, emerging under the moniker SUBMASQ to document a new phase of their artistic trajectory. Their seventh full-length,…
Nearly two decades have elapsed since the Shovelhead’s last full-length statement, “Spitting Oil” (January 2007). In an era where extended hiatuses often signal artistic erosion rather than anticipation, the long-awaited…
As previously noted on the pages of Progressive Rock Journal, Quivira’s self-titled debut, released on September 4, 2026 via Melodic Revolution Records, has allowed us to trace the ensemble’s creative…