Webzine
Interviews feature in-depth conversations with artists, musicians, and creatives from the progressive, experimental, and avant-garde music scenes. This category provides readers with unique insights into the artistic process, inspirations, and stories behind the music, offering a deeper understanding of both established and emerging talent. Every interview is crafted to go beyond surface-level discussion, capturing the vision, personality, and artistic philosophy of the subjects.
Welcome to Little King! With the release of their new album “Lente Viviente” on September 26th, 2025, the band once again showcases their mastery of Progressive and Hard Rock. Over…
Sweden’s Orkan returns with their third full-length album, “Vakendrömmar,” out August 28, 2025 via Blåsväder Records. Known for their electrifying live presence and politically charged lyrics, the Gothenburg-based band blends…
Prog-Rock supergroup DarWin returns with their highly anticipated new studio album “Distorted Mirror,” set for release on September 26th, 2025 via OoS/Phantom Recordings. Following the critically acclaimed “Five Steps on…
At Progressive Rock Journal, we’re always eager to highlight independent voices in the Rock and Metal underground, and today we have the pleasure to chat with Belgian act WOLV. Known…
With their 2024 debut “Asleep or Insane,” Sweden’s Bakelit quickly established themselves as one of the most intriguing new forces in Progressive Rock, driven by the compositional vision of Carl…
Welcome, StoneGazer! It’s a genuine pleasure to speak with you on the occasion of Threshold‘s release—an album that marks a profound artistic evolution for your band. This sophomore full-length demonstrates…
Born from the isolation of lockdown and fuelled by a shared passion for spontaneous creation, AmbientDen is a new Progressive Space Rock project that unites the talents of Australian Prog…
Thank you for taking the time to speak with us. Half Past Four has been a significant voice in the Canadian Progressive Rock scene for years, blending eclectic genres into…
Easter Island’s self-titled 1979 album stands as a testament to the enduring power of American Progressive Rock, emerging at a time when the genre was facing increasing challenges. With the…
Emerging from the vibrant underground of Chicago, What We Owe The Dead deliver a powerful and thought-provoking debut with “Rituals of the Collapse,” a Progressive Metal and Doom opus that…