
“What fans heard in these four {Lyceum} shows was both a history of the Dead and a survey of their unique vision of American music, from folk to rock, with blues and R&B and country-and-western and Bakersfield all included, all melded together by the improvisational spirit of American jazz in a small-group format that owed much to European classical music.
The repertoire made a statement: this is who we are. And while that honored their roots and surveyed their history and evolution, the overwhelming focus was on the present. At the Lyceum, showgoers heard a tapestry of music that knit together the disparate strands of the â60s psychedelic baroque of AOXOMOXOA and LIVE/DEAD with the Americana turn epitomized by WORKINGMANâS DEAD and AMERICAN BEAUTY, which in many ways both continued and culminated in Skull and Roses. English fans were especially delighted to hear the new songs â for fans accustomed to bands using concerts to promote their records, that kind of generosity was striking. Those songs showed a band that was consolidating and deepening its distinctive approach to American vernacular music while still expanding the range of what that could include. Pigpenâs two originals added a distinctive flourish, but the new tunes also made it clear that Weir had emerged in his own right as a singer and songwriter, as well as showing that the wellsprings that fed Garcia and Hunterâs music were drawing on ever deeper aquifers.” – Nicholas Meriwether
Watch the “Seaside Chat: Europe ’72 50th Anniversary” through the YouTube player below:
Imagine, if you will, being amongst the first to witness the merry band of misfits that had taken over the good ol’ U.S. of A. conquer foreign lands. When the Grateful Dead first unleashed their magic on the cautiously optimistic patrons of Wembley of 4/7/72 and 4/8/72, it was with the idea they would have just these two nights to impress a traditionally reserved London crowd. It turned out to be a smashing success, and they set about locking in four dates at one of Londonâs most storied venues, the Lyceum Theatre, to wrap up what some consider one of the greatest tours in Rock history.
On these four nights, we find the band hell-bent on telling ’em “how it’s gonna be,” and boy, did they ever. Powered by what Jerry called “peak optimism,” they delivered a steady dose of “primal Dead,” – sometimes searing, sometimes soulful, sometimes serious, but always unwavering in focus. This willful determination moved them through transitive takes on “Dark Star,” to majestic heights with “The Other One,” through marathon runs of “Playing,” another minute, another mile. It found Phil, philosophizing on how to “put our music into a place,” Bob and Jerry masterfully dueling as two of the top songwriters of their time, Bill elegantly ferrying songs to new lengths, and new members Keith and Donna Jean Godchaux adding organic warmth. And Pigpen? Well, he dotted his beloved classics – “Good Lovin’,” “Mr. Charlie,” “Lovelight,” “Two Souls In Communion” – through set after set, conjuring up more clarity and charisma than anyone would have expected for his final few shows.
Due July 29, 2022, “Lyceum ’72: The Complete Recordings” marks the Deadâs largest vinyl boxed set of all time, a 24xLP collection featuring these storied final four nights in their entirety on 180-gram vinyl for the first time ever. Limited to just 4,000 copies, the individually-numbered set comes in a colorful slipcase with new artwork by Brian Blomerth. The four shows are organized in individual clamshell boxes, each one featuring the cover art that Scott McDougall created for each concert in “Lyceum ’72: The Complete Recordings.” The accompanying book includes a new in-depth look at the Lyceum shows by noted Dead scholar Nicholas Meriwether. And that all-important question of sound? Jeffrey Norman‘s luscious mixes are finally being heard in their full analog beauty. It all makes for a jolly good time, indeed!
Due to the size ( 17 ÂŒâ x 15 Ÿâ x 7 3/8â) and weight (28lbs) of this boxed set, shipping fees for this item will vary.
WHAT’S INSIDE:
· 4 Complete Shows On Vinyl For The First Time Ever
Lyceum Theatre, London, England (5/23/72)
Lyceum Theatre, London, England (5/24/72)
Lyceum Theatre, London, England (5/25/72)
Lyceum Theatre, London, England (5/26/72)
· New artwork by Brian Blomerth and classic designs from “Lyceum ’72: The Complete Recordings” by Scott McDougall
· 52-page book featuring an essay by noted Dead scholar Nicholas Meriwether
· Sourced from recordings by Betty Cantor, Janet Furman, Bob Matthews, Rosie & Wizard
Mixed by Jeffrey Norman
· Mastered by GRAMMYŸ Award-winning engineer David Glasser
· Restoration and Speed Correction by Plangent Processes
· Individually Numbered, Limited Edition of 4,000
Pre-order the LP version here: https://store.dead.net/lyceum-72-the-complete-recordings-24lp.html
Pre-order the Digital version here: https://store.dead.net/lyceum-72-the-complete-recordings-digital-download.html
Lyceum Theatre, London, England (5/23/72)
LP 1 / Side A
âPromised Landâ
âSugareeâ
âMr. Charlieâ
âBlack-Throated Windâ
LP 1 / Side B
âTennessee Jedâ
âNext Time You See Meâ
âJack Strawâ
LP 2 / Side A+I4
âChina Cat Sunflowerâ>
âI Know You Riderâ
âMe and My Uncleâ
âChinatown Shuffleâ
âBig Railroad Bluesâ
LP 2 / Side B
âThe Stranger (Two Souls in Communion)â
âPlaying in the Bandâ
LP 3 / Side A
âSitting on Top of the Worldâ
âRockinâ Pneumonia and the Boogie Woogie Fluâ
âMexicali Bluesâ
âGood Lovinââ
LP 3 / Side B
âCasey Jonesâ
âRamble on Roseâ
LP 4 / Side A
âDark Starâ
LP 4 / Side B
âDark Starâ>
âMorning Dewâ
LP 5 / Side A
âHeâs Goneâ
âSugar Magnoliaâ
âComes a Timeâ
LP 5 / Side B
âGoinâ Down the Road Feeling Badâ
âNot Fade Awayâ
âHey Bo Diddleyâ
âNot Fade Awayâ
LP 6 / Side A
âUncle Johnâs Bandâ
LP 6 / Side B
Etching
Lyceum Theatre, London, England (5/24/72)
LP 7 / Side A
âCold Rain and Snowâ
âBeat It On Down the Lineâ
âMr. Charlieâ
âDealâ
âMe and My Uncleâ
LP 7 / Side B
âHurts Me Tooâ
âDire Wolfâ
âBlack-Throated Windâ
âChinatown Shuffleâ
LP 8 / Side A
âChina Cat Sunflowerâ>
âI Know You Riderâ
âPlaying in the Bandâ
LP 8 / Side B
âYou Win Againâ
âJack Strawâ
âCasey Jonesâ
âRockinâ Pneumonia and the Boogie Woogie Fluâ
LP 9 / Side A
âMexicali Bluesâ
âBlack Peterâ
âMexican Hat Danceâ
LP 9 / Side B
âTruckinââ>
âDrumsâ>
âThe Other Oneâ (Part One)
LP 10/ Side A
âThe Other Oneâ (Part Two)
LP 10 / Side B
âSing Me Back Homeâ
âSugar Magnoliaâ
LP 11 / Side A
âTurn On Your Lovelightâ>
âThe Stranger (Two Souls in Communion)â
LP 11 / Side B
âOne More Saturday Nightâ
Lyceum Theatre, London, England (5/25/72)
LP 12 / Side A
âPromised Landâ
âBrown-Eyed Womenâ
âBig Boss Manâ
âBlack-Throated Windâ
LP 12 / Side B
âTennessee Jedâ
âMr. Charlieâ
âJack Strawâ
LP 13 / Side A
âChina Cat Sunflowerâ>
âI Know You Riderâ
âMe and Bobby McGeeâ
LP 13 / Side B
âGood Lovinââ
LP 14 / Side A
âPlaying in the Bandâ
LP 14 / Side B
âBrokedown Palaceâ
âCasey Jonesâ
âMe and My Uncleâ
LP 15 / Side A
âBig Railroad Bluesâ
âChinatown Shuffleâ
âRamble on Roseâ
LP 15 / Side B
âUncle John’s Bandâ>
âWharf Ratâ
LP 16 / Side A
âDark Starâ
LP 16 / Side B
âDark Starâ>
âSugar Magnoliaâ
LP 17 / Side A
âComes a Timeâ
âEl Pasoâ
âSitting on Top of the Worldâ
LP 17 / Side B
âGoinâ Down the Road Feeling Badâ
âOne More Saturday Nightâ
Lyceum Theatre, London, England (5/26/72)
LP 18 / Side A
âPromised Landâ
âSugareeâ
âMr. Charlieâ
âBlack-Throated Windâ
LP 18 / Side B
âLoserâ
âNext Time You See Meâ
âEl Pasoâ
LP 19 / Side A
âDire Wolfâ
âThe Stranger (Two Souls In Communion)â
LP 19 / Side B
âPlaying In The Bandâ
LP 20 / Side A
âHeâs Goneâ
âCumberland Bluesâ
âJack Strawâ
LP 20 / Side B
âChinatown Shuffleâ
âChina Cat Sunflowerâ>
âI Know You Riderâ
LP 21 / Side A
âNot Fade Awayâ>
âGoinâ Down The Road Feeling Badâ>
âNot Fade Awayâ
LP 21 / Side B
âTruckinââ
LP 22 / Side A
âThe Other Oneâ
âDrumsâ
âThe Other Oneâ
LP 22 / Side B
âThe Other Oneâ>
âMorning Dewâ
LP 23 / Side A
âThe Other Oneâ>
âSing Me Back Homeâ
LP 23 / Side B
âMe And My Uncleâ
âRamble On Roseâ
âSugar Magnoliaâ
LP 24 / Side A
âCasey Jonesâ
âOne More Saturday Nightâ
LP 24 / Side B
Etching