After their formation in 1999 and a long silence that stretched over two decades, Kryuhm re-emerged in 2021 with the strength of a band that had not only survived time but used it to sharpen their artistic vision. Their 2022 debut “Only in My Mind” laid the groundwork for a distinctively Italian take on Doom and Dark Metal. Now, in 2025, they return with “Demoni,” released via Black Widow Records on May 11th: a bold, conceptually rich, and atmospherically dense work that represents a deep dive into the heart of the Italian Dark Sound. The album opens with “Ogni Verbo è Diceria,” a one-minute intro that immediately sets a foreboding tone. Macabre voices echo from the shadows, hinting at the themes to come—decay, spiritual unrest, and internal torment. It’s a fitting overture for a journey that will push the listener through the crevices of the human psyche. “Inside the Mirror” kicks in with thick guitar riffs entwined with eerie organ tones, immediately establishing a dramatic and vintage soundscape. The rhythm section is solid and unrelenting, anchoring the song as the vocals deliver evocative Italian lyrics with depth and emotional weight. Stretching beyond the six-minute mark, the track builds slowly with Progressive Rock textures and Hard Rock structures, culminating in darker passages that feel both modern and steeped in tradition. This fusion of past and present is a recurring strength throughout the record. “La Casa Tra I Rovi” plunges into even heavier territory. With thunderous drumming and distorted guitar lines, the track leans into a classic Heavy Metal frame, yet moments of progressive flair peek through, allowing for interesting diversions and unexpected dynamic shifts. The Italian-language vocals are again a highlight, full of dramatic phrasing and theatrical weight. The centerpiece is a soaring, expressive guitar solo—carefully constructed, emotionally resonant, and technically refined—adding a layer of sophistication that elevates the entire composition. “Silente” serves as a brief yet haunting interlude. A fragile piano motif is accompanied by a sorrowful female vocal line, acting as a spiritual pause between heavier chapters. It transitions fluidly into the following track, ushering in a new level of emotional and sonic intensity. “Welcome To My Hell” resumes the heavier tone with stomping riffs and a rhythmic backbone that feels carved from stone. As the song progresses, melodic interludes emerge, providing a sense of contrast and relief before being pulled back into the darkness. The guitar work is especially impressive here, alternating between doomy tension and symphonic grandeur. It’s a piece that showcases Kryuhm’s maturity as songwriters—carefully paced, emotionally compelling, and richly layered. Then comes the monumental “El Ceson di Carpanea,” the album’s longest track at over eight minutes. From its first notes, it immerses the listener in thick Doom textures and shadowy atmospheres. The lyrics, written in a poetic Italian dialect, tackle deeply unsettling themes with literary finesse. The arrangement is dynamic and cinematic, with shifting tempos and extended instrumental passages that blend elements of Prog, Doom, and even a touch of Folk. This song is arguably the album’s emotional and conceptual core, offering a complete immersion into Kryuhm’s unique world—a standout moment of the album without a doubt. “Samhain” introduces a different palette, beginning with solemn piano and a deep, mournful female vocal line. As the track develops, the organ enters to amplify the ritualistic feel. This spiritual tension finds release in “I’m Not A Monster,” which bursts forth with renewed intensity. Here, Kryuhm again bridge classic Doom Metal with a modern sensibility. The male vocals add weight and aggression to verses and choruses, while melodic sections offer counterpoint to the heavier riffs. There’s a distinct sense of identity in this song—classic yet fresh, Heavy yet emotive. Synth textures subtly enhance the track’s atmosphere without overpowering it, adding yet another layer of sonic richness. The album closes with “The Night,” a powerful and energetic finale that begins with moody keyboard and guitar textures before escalating into a more aggressive, Old-School Metal rhythm. The contrast between solemnity and speed works surprisingly well, driving the song forward and making it a satisfying conclusion to the journey. The fusion of traditional Heavy Metal and modern Doom touches is handled skillfully, with a final vocal performance that’s both commanding and emotionally resonant. With “Demoni,” Kryuhm firmly establish themselves as one of the most intriguing acts in the current Italian Occult Metal scene. Their sound is deeply rooted in tradition but never bound by it, and their lyrical approach is refined, poetic, and rich with symbolism. This second chapter represents a clear evolution from their debut, showing growth in composition, production, and conceptual depth. Fans of Doom, Dark Prog, and Occult Rock will find in “Demoni” a compelling and immersive experience that refuses to fade after the first listen.
Tracklist
01. Ogni Verbo è Diceria
02. Inside The Mirror
03. La Casa Tra I Rovi
04. Silente
05. Welcome To My Hell
06. El Ceson di Carpanea
07. Samhain
08. I’m Not A Monster
09. The Night
Lineup
Daniele Laurenti / Vocals, Guitars
Andrea Fracca / Guitars
Francesco Sterzi / Bass
Tino Fracca / Drums
Giampi Tomezzoli / Keyboards
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