The Belgian trio Amour presents “The Space Before the T of Time,” a two-track EP released on September 19, 2026, that clearly outlines their compositional vision. Entirely composed and performed by Denis Geerts (drums, keyboards, percussion), Olivier Heyte (bass), and Samuel Grégoire (guitars, percussion), the release is sonically shaped by production work from Nicolas Lomartire at Noise Factory Studio and visually defined by artwork designed by Sabyne Alain. Constrained to just two movements, the record immediately establishes an expansive, structurally deliberate framework characteristic of instrumental Psychedelic Progressive Rock. The EP’s expansive centerpiece and title-track, “The Space Before the T of Time,” is built upon the deliberate interplay between Grégoire’s guitar work, Heyte’s foundational bass lines, and Geerts’ dual approach across drums and keyboards. The composition navigates varied stylistic territories, oscillating between rhythmically driven passages and broader, more symphonic sections. Notable keyboard and guitar solos are woven together over a complex, solidified rhythm section that benefits significantly from the layered percussion work. The arrangement functions as a masterclass in instrumental Progressive Rock, drawing clear parallels to the 1970s canon, particularly a Santana-esque rhythmic foundation where groove-Heavy bass and drumming dictate the pulse. Expertly blended guitar and keyboard textures continually evolve the central motifs, providing refined soloistic insertions without losing structural cohesion. The fifteen-minute runtime is fully utilized to develop the thematic material, showcasing the trio’s compositional precision and technical command. This single track effectively anchors the EP, mapping out the group’s Psych-Prog vocabulary through deep bass articulation, dynamic guitar phrasing, and moments of expansive resonance. As the piece concludes, the tonal palette shifts toward heavier Psychedelic territory, culminating in an extended guitar solo that guides the track to its resolution. Clocking in at just over seven minutes, the second movement “Setsubun,” offers a distinctly different sonic perspective compared to the opening suite. The arrangement emphasizes rhythmic precision and textural contrast, driven by the shared percussion duties of Geerts and Grégoire alongside a sharply defined rhythm section. The composition is structured around continuous tempo modulations, fluidly transitioning from deep, Jazz-inflected passages to accelerated Heavy Psychedelic sections built on intricate Progressive arrangements. Operating within a Jazz-Psychedelic framework, the track highlights the trio’s exceptional interplay and compositional dialogue. Each musician responds to the evolving theme with purpose, maintaining forward momentum while rewarding attentive listening with carefully placed structural shifts. The primary strength of Amour’s instrumental approach lies in the trio’s intuitive interplay and the cohesive impact evident across both compositions. A careful balance between technical execution and layered keyboard/percussion textures is preserved by the production at Noise Factory Studio, allowing each track to function as a complete statement of the band’s identity. While the first movement embraces expansive development, both pieces demonstrate disciplined pacing and purposeful progression. Though brief in duration, this EP delivers a concentrated collection of well-constructed ideas that navigate seamlessly between Progressive Rock complexity and psychedelic atmosphere. The band’s internal cohesion remains evident, proving that two tracks can establish a distinct sonic signature. Observing how these compositional instincts mature across their upcoming full-length release will undoubtedly be a rewarding prospect for fans of modern instrumental Psych-Prog.
Tracklist
01. The Space Before the T of Time (15:18)
02. Setsubun (07:21)
Lineup
Denis Geerts / Drums, Keyboards, Percussion
Olivier Heyte / Bass
Samuel Grégoire / Guitars, Percussion