[Review] Lost In Kyiv – We’re All Going to Be Fine
After more than ten years of constant evolution in the Post-Rock scene, Lost in Kyiv return with a work that marks both a breaking point and, simultaneously, a rebirth—sanctified by…
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Reviews offer in-depth, critical, and engaging analysis of albums, singles, and live performances across the world of progressive, experimental, and avant-garde music. Covering a wide spectrum of styles — from Art Rock, Canterbury Scene, Classic Rock, Doom, Folk Prog, Heavy Prog, Jazz Prog, Krautrock, Neo Prog, Post-Rock, Progressive Metal, Psychedelic Rock, Rock Progressivo Italiano, Space Rock, to Symphonic Prog — each review provides context, musical and lyrical analysis, and thoughtful commentary. This category is dedicated to helping readers discover, appreciate, and understand the richness and diversity of Contemporary and Classic Progressive and Heavy Music.
After more than ten years of constant evolution in the Post-Rock scene, Lost in Kyiv return with a work that marks both a breaking point and, simultaneously, a rebirth—sanctified by…
James Closs builds strange worlds in private. Already known for Muleskinner Jones, the British multi-instrumentalist returns under his most enigmatic guise — Faceless Mule Corporation — with “Episode Two,” out…
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In audio engineering, “Through Zero” describes the property of a signal crossing the zero point to invert its own phase. There is no more fitting metaphor to describe the artistic…
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“Overwhelmed,” the new sophomore from Brazilian-American collective Lufeh, is due May 29, 2026, and arrives as the natural evolution of a project active since 1993, built around the vision of…
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Astral Magic is the project of Finnish multi-instrumentalist Santtu Laakso, and “Into the Cosmos” is the kind of record that does not ask for your attention — it simply takes…