Scottish Prog rock veterans Pallas, release a re-worked video of “Beat The Drum” in support of Ukraine, urging fans to donate to the Disasters Emergency Committee appeal to help those affected by the crisis there.
The video, which was originally recorded as part of the band’s live set for 2003’s “The Blinding Darkness,” has been reworked to highlight the lyrics which now seem eerily prescient.
Former singer Alan Reed commented: “When the song was originally written it marked what we thought was the end of the Cold War between East and West. It was a call for freedom and self-determination, and against the siren call of populism which has so often led to destruction in our society.
The words now have an eerie ring about them. In the current climate, the call to defend individual freedom against an aggressor has taken on additional resonance. I cried when I first saw the reworked video.
Pallas as a band has struggled with divisions of its own over the years. But we stand with the people of Ukraine in their defence of their country and the right to choose their own destiny.“
Bassist Graeme Murray added: “What is happening in Ukraine is obscene. That it could happen in Europe in the 21st Century is unbelievable. But we can’t allow ourselves to be overwhelmed by a sense of hopelessness.
By releasing this video we hope to encourage people to support the work of the Disasters Emergency Committee. Donate whatever you can to their Ukraine appeal.“
The Disasters Emergency Committee is a co-ordinating body set up by the UK’s fifteen leading aid charities. It includes The British Red Cross, Oxfam, Save The Children, CAFOD and many others. They work together to make sure that nearly every penny donated gets to those who need it. They estimate that up to 4 million people will be displaced in the current conflict in Ukraine. Up to18 million could be directly affected.
You can donate to the appeal at: https://www.dec.org.uk/appeal/ukraine-humanitarian-appeal
Neither Pallas or Alan Reed will receive any renumeration for the video.
